So Hans Robert Jauss is a little off the critical grid, but if you’re into reception theory—and who isn’t?—he’s your man. In fact, he invented the term “reception. Drawing on philosophical hermeneutics, Jauss argued that literary works are Unlike most varieties of reader‐response theory, then, reception theory is. In , Hans Robert Jauss’s Literary History as Provocation of Literary Theory marked the beginning of the aesthetic of reception as one of the most powerful.

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Reception and Reader-Response Theories. Working Papers in Cultural Studies. Reference entries Reception theory in Encyclopedia of Rhetoric Length: Search within my subject specializations: Views Read Edit View history.

Reception theory – Wikipedia

Please help to improve this article by introducing more precise citations. Sign in with your library card. Don’t have an account? Literary theory Theatre studies Historiography. In essence, the meaning of a text is not inherent within the text itself, but is created within the relationship between the text and the reader.

One key difference between reception theory in literature and reception theory in landscape architecture is that while literary works are accessible only to the imagination, physical landscapes are accessible to the senses as well as to the imagination. It traces the different ways in which participants, observers, historians and other retrospective interpreters have attempted to make sense of events both as they unfolded and over time since then, to make those events meaningful for the present in which they lived and live.

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In literary studies, reception theory originated from the work of Hans-Robert Jauss in the late s, and the most influential work was produced during the s and early s in Germany and the US Fortierwith some notable work done in other Western European countries. Publications Pages Publications Pages. Hall also developed a theory of encoding and decoding, Hall’s theorywhich focuses on the communication processes at play in texts that are in televisual form.

Umberto Eco coined the term aberrant decoding to describe the case when the reader’s interpretation differs from what the artist intended.

Reception theory is a version of reader response literary theory that emphasizes each particular reader’s reception or interpretation in making meaning from a literary text. Rexeption cultural theorist Stuart Hall was one of the main proponents of reception theory, first developed in his essay ‘Encoding and Decoding in the Television Discourse’.

Medicine and health Music Names studies Performing arts Philosophy. Show Summary Details Overview reception theory. According to Harold Marcuse[2] reception history is “the history of the meanings that have been imputed to historical events. It is likely that the less shared heritage a reader has with the artist, the less he or she will be able to recognise the artist’s intended meaning, and it follows that if two readers have vastly kauss cultural and personal experiences, their reading of a text will vary greatly.

July Learn how and when to remove this template message. A branch of modern literary studies concerned with the ways in which literary works are received by readers.

Reception theory has also been applied to the history and analysis of landscapes, through the work of the landscape historian John Dixon Huntas Hunt recognized that the survival of gardens and landscapes is largely related to their public reception. In literature, the interaction between text and reader occurs within a framework that controls thelry limits the interaction, through genre, tone, structure, and the social conditions of the reader and author, whereas in landscapes the interaction occurs through movement and viewing, framed by typology instead of genre jausw tone.


reception theory

This page was last edited on 14 Novemberat Instead of an “implied reader”, reception theory of landscapes assumes an “implied visitor”, who is an abstracted concatenation of responses of many visitors at different times. This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations.

Sign in via your Institution. By using this site, you agree to the Terms of Use and Privacy Policy. Reception Aesthetics in Encyclopedia of Jzuss Length: Drawing on philosophical hermeneutics, Jauss argued that literary works are received against an existing horizon of expectations consisting of readers’ reeption knowledge and presuppositions about literature, and that the meanings of works change as such horizons shift.

A basic acceptance of the meaning of a specific text tends to occur when a group of readers have a shared cultural background and interpret the text in similar ways.

Susan Bennett is often credited with beginning this discourse.